Voyage au pays de Zingaro, Emmanuel Michel

CABARET DE L'EXIL Portrayed by Alfons Alt   Total adventure in the heart of an ageless story; for almost forty years, Zingaro has continued his theatrical journey. To offer oneself to the public on horseback is to speak with them; invent an immemorial language ... An exchange beyond words, when the language of men is led to disappear and be reborn with the winds of history.   Exile almost always leads to the enrichment of one's own roots, it imposes a rebirth, a detachment from one's ancestral ties. Receiving this new sap requires courage and openness. This first "Cabaret of Exile" celebrates Yiddish culture and its klezmer music; a nomadic world in reference to the perpetual uprooting of the Jewish people. Yiddish, the language of exile par excellence, is today a dying language that may one day be reborn. As Bashevis Singer said with his devastating and devastating humor, when presenting his Nobel Prize for Literature: “I am often asked why I write in such a dead language. Why ? Because I believe in the resurrection. Not just in the resurrection of tongues, but in the resurrection of men. A dying tongue… perfect for those who are neither alive nor dead: ghosts! Nothing fits a ghost story better than a dying tongue. The more the language is dead, the more the ghosts are alive. "   Inspired by the bestiary of this "Cabaret of Exile", Alfons Alt reveals beyond nostalgia, which crosses time to imprint our souls, a real resurrection.   BARTABAS

It is the genius of the place that inspires Bartabas, it is him who decides on the show, on the representation, even on the ceremonial to be spread. So the choreography, the music and the singings given in Rouen will not be taken back on another scene or an other one places. Book + offered DVD

Bartabas signs a " Manifesto for artist's life " and invites 12 personalities to speak about it by his side. Far from the idea of Bohemia, this Manifesto for artist's life bases on the strong idea of the artistic commitment. It reveals how and to what extent the dedication of an artist to its work can modify its way of life, its daily life, its private life. This artistic commitment at the same time physical and spiritual implies an ethics on a daily basis, an investment without concession. This artistic commitment influences the lifestyles of the artists and their production, each in their own way.