Lever de soleil Program (French version)

Portrait of a universal artist who reinvented the show and novel of a man who built, under a fictitious identity, an imaginary world, Bartabas, roman is also the narrative of a brotherly friendship. ! French version !

For any online purchase of the book, Bartabas will sign your copy. To do so, simply enter the first name for whom the dedication is intended in the ‘Order Notes’ box after clicking on ‘Confirm Order’. "Like two quiet people discovering each other, we shared a flood of useless words; our travels, our encounters, our adventures and the burden of our companions. From cigarette to cigarette and glass of wine to cigarette, we exchanged our doubts and the torments of creation. I talked a lot about my horses, she talked very little about her dancers. Finally, silence fell. The desire to talk gave way to the desire to do. ‘I'd like to introduce you to a horse... his name is Micha Figa." In 1990, Bartabas met the German choreographer and dancer Pina Bausch. A friendship developed between them, and he decided to introduce her to the horse Micha Figa – the ideal partner, in his opinion, to reveal the dancer's true personality. This was the beginning of an unparalleled artistic and initiatory adventure that would last more than ten years. During those nights stolen from their encounters, Pina Bausch and Micha Figa forged a bond that should have led to a much-anticipated performance. Life had other plans. What remains are moments of grace that escaped the spotlight, and Bartabas, who was their sole witness, gives us his hallucinatory account here. A downward gesture, an artist's tribute to another, takes us behind the scenes of creation and tells of the irrational and sublime that can play out between man and animal. After D'un cheval l'autre (2020) and Les cantiques du corbeau (2022), Bartabas presents his third book. Editions Gallimard Collection Blanche 112 pages ! Written in french !

"For this ultimate creation, I wanted to celebrate them as the true actors of this original “Equestrian Theatre”… To show a ritual without memory, a ceremony where the viewer will see the animal as the mirror of humanity." Bartabas

CABARET DE L'EXIL - Yiddishland Portrayed by Alfons Alt   Total adventure in the heart of an ageless story; for almost forty years, Zingaro has continued his theatrical journey. To offer oneself to the public on horseback is to speak with them; invent an immemorial language ... An exchange beyond words, when the language of men is led to disappear and be reborn with the winds of history.   Exile almost always leads to the enrichment of one's own roots, it imposes a rebirth, a detachment from one's ancestral ties. Receiving this new sap requires courage and openness. This first "Cabaret of Exile" celebrates Yiddish culture and its klezmer music; a nomadic world in reference to the perpetual uprooting of the Jewish people. Yiddish, the language of exile par excellence, is today a dying language that may one day be reborn. As Bashevis Singer said with his devastating and devastating humor, when presenting his Nobel Prize for Literature: “I am often asked why I write in such a dead language. Why ? Because I believe in the resurrection. Not just in the resurrection of tongues, but in the resurrection of men. A dying tongue… perfect for those who are neither alive nor dead: ghosts! Nothing fits a ghost story better than a dying tongue. The more the language is dead, the more the ghosts are alive. "   Inspired by the bestiary of this "Cabaret of Exile", Alfons Alt reveals beyond nostalgia, which crosses time to imprint our souls, a real resurrection.   BARTABAS